Miss Sugarbritches

Dawson’s Creek, Teen Angst and Ugly Crying

Danielle VialeComment
Columbia TriStar Television, Outerbanks Entertainment, Sony Pictures TelevisionExec Producers: Tom Kapinos, Greg Prange, Paul Stupin, Greg Berlanti, Kevin WilliamsonCreated by: Paul Stupin and Kevin Williamson

Columbia TriStar Television, Outerbanks Entertainment, Sony Pictures Television
Exec Producers: Tom Kapinos, Greg Prange, Paul Stupin, Greg Berlanti, Kevin Williamson
Created by: Paul Stupin and Kevin Williamson

A friend texted a photo of this week’s cover of Entertainment Weekly commemorating the 20th anniversary of the iconic 90s show, Dawson’s Creek.

I immediately fired back with the ‘I remember everything’ gif featuring Joey and Pacey. There is only one team here and it’s Team Pacey. And there is only one emotion and it’s angst, teen angst, and in 1998, I was living for every strained-face moment of it. I have never lived on a creek, run an inn with my older sister, or climbed up a rooftop nightly to sleep over at my male best friend’s house, so I can’t say I exactly related. But Dawson’s was serving up some serious angst and as my numerous scrawled through journals could attest, our shared angst ran deeper than any creek.

It pains me that the following generations with the smarts and curiosity to stream this Gen X gem will not be able to sing along with Paula Cole to the opening credit classic ‘I Don’t Want to Wait’ (with the exception of the finale). This track appropriately set up viewers for an ugly cry, courtesy of the original ugly cry hero, Dawson Leery. The song agonizes, ‘I don’t want to wait for our lives to be over…’ What? This is what I was singing at the top of my lungs on my mom’s couch. The image of this makes me want to hide my head in a Totino’s Party Pizza. Which is probably how the producers felt when they lost the rights to the song after the show’s original run. With no paddleboat of my own to storm off to, I’ve been ugly crying ever since. 

Paula Cole aside, do yourself a favor, grab a pint of cookie dough ice cream and whatever 5 for $5 frozen pizza you can get your hands on and enjoy the squirm-fest that is the ‘90s OG classic, Dawson’s Creek. Your Capeside pals Joey, Dawson, Pacey, and Jen await!

The Quotable Dale Kettlewell

Danielle VialeComment
Disney-ABC Family Original Productions, Piller/Segan Company

Disney-ABC Family Original Productions, Piller/Segan Company

I'm still not over Greek ending. I'm still not 'Over You Just Yet.' But I am still laughing over Dale Kettlewell. Enjoy these gems from our favorite sometimes annoying, sometimes biting, but always earnest Greek roommate.

His response to Rusty’s expressed interest in joining a Fraternity:
'A Yankee and a heathen…I’m gonna pray for you Rusty.'

When Rusty faces his first ethical dilemma of Freshman year:
Rusty, I know I may just seem like a Christian hick with a very bright future ahead of him, but can I give you some advice? These guys, you've known them for a couple hours, but she's been your sister for eighteen years, she'll always going to be your sister. Now I know you came here to have fun, join a fraternity, and sin in the eyes of God, but you could be missing out on creating a relationship with her.

In Calvin and his boyfriend’s dorm room:
'It smells like Hugo Boss and brimstone in here.'

After two weeks of hiding out in their apartment, Rusty asked Dale, what are you avoiding out there (in the real world)? Dale’s response: 
'Vegans and coldplay fans.’

To Lana:
'You know, someone without a college degree shouldn’t be so choosy.'

To a stripper at Gentlemen’s Choice:
'Hi, I have a friend of mine I'd like to introduce you to, his name’s Jesus and he pays much greater dividends than those dollar bills in your underpants.'

To another stripper :
'Tell me about your father, was he bad? Because I have a very good father I’d like to tell you about.'

Later to a pledge at the KT house:
'Have you thought about pledging the JC house? Jesus knows how to party – he makes his own wine.'

For thanksgiving:
'Feel free to bring a bottle of something. I think a nice, dry ginger ale would go best with the deep fried turkey.'

This Spring Break, Go Greek

Danielle VialeComment
Disney-ABC Family Original Productions, Piller/Segan Company

Disney-ABC Family Original Productions, Piller/Segan Company

I've gotta thank 'Feet' for recommending that I watch Greek. She confessed that everything she knows about Fraternity and Sorority life she learned from the ABC Family series, created by Patrick Sean Smith, which ran 4 seasons from 2007-2011. 

Greek digs into the college life of new Freshman arrival, Rusty Cartwright, his popular ZBZ sister, Casey, his KT big brother and her ex, Cappie, and their friends, roommates, brothers and sisters who all attend Cypress-Rhodes University–mostly on Fraternity Row, usually at a mixer, often battling it out over intramural sports (or beer pong), and strictly during afternoon classes. 

Rusty enters Greek life in the hopes of shedding his former nerdy self and to finally learn how to let go and have fun. While Greek life attempts to corrupt the innocent pledge, Rusty, AKA 'Spitter,' he instead acts as the wise Jiminey Cricket to Casey, to get out of her social climbing head, and to Cappie, to accept a world beyond the KT house. He also learns how to drink tequila, make it rain beer and find a girlfriend, all while keeping up his honors engineering GPA.

I like the escapism of staying up till the wee hours at the latest themed mixer, talking it out on the KT rooftop, and the excitement of the unknown that lies ahead. While the ZBZ house often is a bit too pink and Aqua Net for my taste, I have no problem idling the hours away at the KT house–even with its fragrance of stale beer, feet, and Cheeseritos. I'd have no problem discussing philosophy in lawn chairs with Calvin, getting drunk in an empty canoe with Dale, building Mount Vesuvius with Rusty, or contemplating life's greater questions over a game of pool with Cappie. 

While the fictional Ohio University and all of its inhabitants must remain in my syndicated dreams, over here in reality, I'll recreate Cypress-Rhodes local haunt, Dobbler's, with Carolina Lair’s I’m Not Over You Just Yet on repeat while dancing around my apartment. There's no End of the World party flyer on the wall, nor a bid night bar fight breaking out, but it'll do. Oh Greek, I raise my red solo cup to you. I'm so not over you just yet.

Adam Rippon, HRC's 2018 Visibility Award Recipient

Danielle VialeComment
NBC, HRC, Adam Rippon

NBC, HRC, Adam Rippon

Tonight Adam Rippon was honored with the HRC Visibility Award. As the first openly gay winter Olympian and self-dubbed America's sweetheart, he took the podium as if he owned it and shared his message of acceptance, authenticity and fearlessness. It was such an inspiring speech, sprinkled with moments of his signature wry humor that I had to transcribe most of it below.

To see him onstage is to celebrate the fact that tonight he got to be the role model he never had, tonight he got to change the lives of countless kids and teens. 

I can remember the first time I shared with someone I was gay and I could feel this huge weight being lifted off of my shoulders. I felt reborn. I like to talk about my coming out because coming out has been the most liberating experience of my life. I hope that everyone, regardless of their sexual orientation, has their own coming-out experience. When you can share who you are with the world, you will find great power.

I learned that being gay isn't special. You are not special because you are gay. What makes I look the people I look up to so incredible and so special is what they offer to the world. I feel what truly makes someone special is the way they treat others, their work ethic and their bravery in being honest. 

When I was little, I used to care so much about what others thought of me. I was mindful of the way I dressed, my mannerisms, the way I talked. I was afraid people would think I was weak. I was afraid of making mistakes. I was afraid that I wouldn’t be welcomed by the LGBTQ community because someone like me wouldn’t be the role model they were looking for. Maybe I was too gay and maybe I was just too myself. Throughout my life, I have fallen short many times. I have felt depressed, I felt not good enough, and I felt like there would never be a day where I would feel like I belong. I was living life afraid.

I remember hearing the quote, ‘What would you do if you weren’t afraid?’ I remember really hearing it, and honestly asking myself, ‘What would I do differently?' I remember making the choice to be unafraid. I made the choice to not care what others thought of who I was. I was going to be truly me. This was the biggest and most important decision I’d ever made: To live fearlessly. To take risks. To let go of my fear of what others may think of me, and to always keep learning. You will find that you will have your greatest success when you wear your scars proudly. Don't be afraid to try something new. If you make a mistake, learn from it. There's no shame in not being perfect, nobody's perfect.

Through my shortcomings and from my successes, I’ve learned that a champion is more than a medal. It’s a mindset. Being a champion is being a role model. I learned that you can be a role model by just being yourself and living your best life.

It's so important that we listen to each other with an open heart and open mind. You change someone's mind by sharing your story. You can make someone's day by getting them to laugh. But we can change someone's life by showing them compassion.

I've learned how important it is to surround yourself with people who love you unconditionally. I've learned how important it is to surround yourself with people who challenge push you to be the best version of yourself. I used to be afraid to share my authentic self with the world, but today when I walk into a room, I know I'm a star.

No matter where you have come from or where you are going to, there is someone who looks up to you, and they will find inspiration in your strength of just being yourself. Be a role model, and never forget that you can be someone’s champion. You are a winner. When we all come together, we can change the world.

You can see the complete video of his acceptance speech here.

John Oliver Musters the Strength to Carry On

Danielle VialeComment
JOHNNYO.png

My morning commute just got better now that I get to drive past the new Last Week Tonight with John Oliver Season 5 billboard. I can’t help but chuckle as I pass the face down Oliver. No matter how lost I am in a podcast, how anxious I am thinking about my day, or how late I am running, I always laugh. He gets me every single time. John Oliver’s the gift the 405 truly needed. He successfully represented the collective consciousness without ever making eye contact. Thank you, John Oliver. I needed that.

Countdown to World of Dance, Season 2

Danielle VialeComment
NBC Universal Television Distribution

NBC Universal Television Distribution

Eva Igo! Les Twins! The Lab! (reppin' LA HARD!)  Quick Style! Jabbawokeez! Eva Igo again!

I feel like I'm in the middle of Summer hiatus waiting for last season's hit to return! I can't even with all the waiting!! I'm not much for competitions or reality TV, but JoLo, Ne-Yo and Derek Hough got me good with World of Dance. Do yourself a favor and check out these incredible dancers! The selections above are the highlights, the ones that had to be watched multiple, multiple times. The ones that will hopefully get this fangirl through till the May 29, Season 2 premiere date.

Netflix, Who Gave You Permission to Deliver the Queer Eye Goods??!!

Danielle VialeComment
Netflix, Scout Productions

Netflix, Scout Productions

I was a fan of the Original Fab 5, but with the landscape of remakes, I came into this one with a raised eyebrow. But by the end of the first episode, that eyebrow was firmly back in place, only furrowed if trying to hold back tears. How is it that a make-over show making me cry? How is it that I was certain Jonathan Van Ness would grate, instead worked his way into my heart? Shamazing! How is it that all these guys and all the stories they told brought more emotion than any other show this season? And how is it that I burned through all eight episodes in a single night? Netflix and Queer Eye, you make a reboot feel like a first love. I can't handle how much I love it!

Shaun White is Ironman

Danielle VialeComment
Shaun White, NBC Best of US, Director: Paul Hunter, Pretty BirdAgency: Anomaly NY, Music: Ironman by Black Sabbath

Shaun White, NBC Best of US, Director: Paul Hunter, Pretty Bird
Agency: Anomaly NY, Music: Ironman by Black Sabbath

I'm here to say, Shaun White has already won the Olympics. He won the Superbowl ads. He won it all with this ad directed by Paul Hunter (Pretty Bird) to promote the 2018 PyeongChang Winter Olympics on NBC. The Best of U.S. series of ads includes hopeful Olympians Chloe Kim with her dad–swoon, Nathan Chen, and Lindsey Von. But it's the Shaun White Ironman ad from the series that is gold-medal worthy–the color, the photography, the music, the editing–next level, next league, Superbowl. Done and won.

The only thing better than a redemption story, is one set to a sick track. I've watched this ad more than I care to admit, if even one note hits my speakers, I'm in for the full 60 seconds, full blast, no exceptions. Thank you, Black Sabbath. Thank you, Paul Hunter. Thank you, Shaun White.

Remembering Rocket Man, Joseph Schmitt

Danielle VialeComment
CENTER: Norman Rockwell (Schmitt and Rochford suit up Gus Grissom and John Young for Gemini 3)

CENTER: Norman Rockwell (Schmitt and Rochford suit up Gus Grissom and John Young for Gemini 3)

Joe Schmitt was a prolific space suit technician who passed away this year at the age of 101. He worked for NASA from 1958-1982 and was awarded the NASA Exceptional Service Medal in 1981. He suited up astronauts like Alan Shepard and John Glenn. He was often the last of the ground crew to step off the craft before launch, ensuring the suits’ functionality including boots and helmet, before wishing the men luck on their mission. 

Born in Illinois, he spent time in the Army Air Corps where he took an aircraft clothing repair course, before joining NASA to help design and develop the first space suits. Over the next 25 years, he also helped design the first pressurized space suit, and in 1969, the $100,000 lunar landing suits used by Neil Armstrong and Buzz Aldrin. He was also immortalized in not one, but two Norman Rockwell paintings. When he asked the artist why he was included, Rockwell responded, ‘Because you were always there.’

My imagination gets carried away with the idea of a space suite technician, Valentino meets NASA. Though half of it critical engineering to prepare for unknown elements, and the astronauts’ lives in mind, it’s also half art. The silver suit inspired a country, a space race, and dreams of worlds far, far away. 

When I think of the New Year, I take inspiration from Joseph Schmitt and his ability to see possibilities and create from the unknown. 

To read more about ‘How 400,000 People Landed Apollo 11 on the Moon,' check out the book Team Moon. To see a photo history of space suits, click here.

Where is the LoVe?

Danielle VialeComment
Warner Bros.

Warner Bros.

As I anxiously wait through the wasteland that is Winter Hiatus for iZombie’s apocalyptic return, I gotta ask you, Rob Thomas, where is the LoVe? Why must all shows go so dystopian? Why must they all go so dark? We were having so much fun dancing with the undead in season one (I will resist bringing up Lowell).

With your previous gift to the binge-watching universe, Veronica Mars, we got to see the story of Logan and Vernica, AKA, LoVe, unfold. He was the smoldery, yet troubled straight shooter, she was the pixie who brought the magic and an untamable curiosity. Together, they solved mysteries, crimes, and misdemeanors. Oh, the smolder of it all! We spent three seasons in sunny, sometimes dark, Neptune, California, watching Logan and Veronica banter, finish each other’s sentences, and follow the latest clue. At the end of season three, after years of ups and downs, with eyes locked, on the verge epicness, everything abruptly ended. No goodbyes, no banter– no season four. What is a fangirl to do? I’m still recovering from this, Rob Thomas. Sure Veronica is a mashmellow sprite, who dusted herself off, and moved on to create even greater epic magic as Anna in Frozen, but I still can’t help but hold LoVe close to my heart. That is the kind of fandom you created.

Rob Thomas, all I'm saying is this–temper the darkness, and bring some of that epicness to iZombie. I realize I’m asking for a zombie genre to go non-dystopian, but if anyone can do it, it’s you. This fangirl is missing a little LoVe in her life.

If you need a little LoVe in your life, you can watch all three seasons of Veronica Mars here

Ladies Wrap the Season

Danielle VialeComment
Marvel/ABC Studios, Hulu, Warner Bros, Andrews McPeel Publishing (Curtis Wiklund)

Marvel/ABC Studios, Hulu, Warner Bros, Andrews McPeel Publishing (Curtis Wiklund)

RUNAWAYS Superheroes may seem off genre for this fangirl, but if Rob Thomas can make me watch a show about zombies, the right team could get me to watch a show about superheroes. Stephanie Savage and Josh Schwartz seem like the perfect duo for the job with their past successes on Gossip Girl and The O.C., but I’m still on the fence.  I may even be heckling or at least yelling at laptop from said fence. The overwhelming prevalence of evil in Runaways may be typical of superhero origin stories, but evil is out of balance here with hope is hardly in sight. As beautiful as the CW-like characters are, it’s hard to connect to them with the long shadow cast by their evil-doing parents. The Marvel/Hulu original had a lot of buzz, so I pressed through to the finale, but even though they're signed on for season 2, I think I'll stick to the zombie crowd.

THE VOICE Yes, I still watch The Voice. Chloe Kohanski on Team Blake took home the trophy for Season 13. Whether you're a Voice fan or not, it's worth your while to check out her performance of Fleetwood Mac's Landslide. Chloe gets bonus points for style, dressed in a lightning bolt suit, accented by orange eye shadow. In this new year, may we all march to our own drummer like Chloe.

US I’ve written on wedding photography duo Curtis and Jordin Wiklund before. Curtis just completed his first book, US, a compilation of heartwarming sketches inspired by life with his wife, Jordin. His drawing-a-day project drew attention with sketches that revealed intimate, loving and funny moments of their lives together.  For this Calvin and Hobbes fan, I can’t help but see the stylistic influence of Bill Watterson, and can’t help but fall for his depiction of their lives and love for one another. It’s a perfect keepsake to buy and share with someone important to you, plus it gives me the warm fuzzies to support new artists.

Kevin Probably Saves Fall TV

Danielle VialeComment
Disney, ABC Studios

Disney, ABC Studios

That’s a big title for a show that has only received a lukewarm reception and raised eyebrows for its religious leaning content. But I’m here to defend. With a 2017 that’s been pretty dismal, plagued with anxiety, a show with some magical realism and hope is alright by me. Plus I’ve been rooting for Jason Ritter for sometime now. He charmed on Parenthood, but with Kevin Probably Saves The World, he gets a starring roll and flexes his comedic chops. Kevin, who has his own soul searching problems, is the unlikely ‘last of the righteous.’ It’s up to him and his super soul sidekick, Yvette, to help find the other 35. He juggles life with his twin sister, curious niece, and tracking down clues in hopes of finding the righteous. Eight episodes in and they haven’t found the first one but they’ve been on many adventures, met good people and helped them out along the way. It may be a far cry from the world we live in at this moment, but in that regard, it may be just what the doctor ordered. 

Archie, Meet Landry

Danielle VialeComment
Berlanti Productions, Warner Bros. 

Berlanti Productions, Warner Bros. 

For this one, I’ll need to refer to the Friday Night Lights Season 2 plotline where Landry Clarke, in a moment of self-defense, kills someone. The plotline spiraled from there, both off-character and off the rails. And that, unfortunately also sums up Season 2 of Riverdale. All main characters are in vigilante mode. The friendships made and cherished in Season 1, all take a backseat to revenge. No lighthearted school scenes or hangouts, no crushes or dates, and don’t even get me started on the ship that has recently sunk. 

Previously, if I wasn’t into the storyline, the set design won me over. Riverdale successfully created it’s own world with modern takes on vintage silhouettes. But in Season 2, it’s off balance, leaning too retro, causing distraction. While I liked the hospital set’s departure from today's standard big box design, it skewed so vintage that I feared for Fred Andrews’ life. 

I can only hope we get to Season 3 without losing a main character and return to balance in friendships, design, and that damn ship.

Eleven Reasons to Still Believe

Danielle VialeComment
21 Laps Entertainment, Netflix

21 Laps Entertainment, Netflix

The Duffer Brothers' Stranger Things came back for Season 2 just in time to creep me out for Halloween. Some new characters arrived and went nowhere, but it's the core characters and friends that I care about anyway. And that's where S2 delivered. Here's Eleven Reasons to Still Believe:

11.Title Design and Soundtrack With titles and intro music like this, evoking mystery, Stephen King, and ‘80s nostalgia, I’ll pass on hitting ‘Skip Intro.’ Bonus points for featuring such classic tracks like The Psychedelic Furs’ Ghost in You.

10. Homage to the ‘80s Ghostbusters, Arcades, and Sean Austin make loving Stranger Things ‘easy peasy.’

9. The Spy, The Mind Flayer and The Demi-dogs I love a new, fangirl vernacular.

8. Nancy and Jonathan They finally get past Steve and their trust issues.

7. Nancy Proves There’s Room for More than One Heroine in Hawkins She takes down the government, wields a gun, and gets the guy. I also like her mispronunciation of The Mind Flamer.

6. Friends on Walkies and Wheels The four friends are the heart of Stranger Things–on walkies, on bikes, and at the arcade. The show balances the innocence of the friends solving the mystery of the arcade hero, MADMAX, while uncovering the terror of what lurks in The Upside Down

5. Steve and Nancy Rescue Dustin Steve offers dating and hair advice, and Nancy saves ­Dustin from the middle school girls at the Snow Ball dance.

4. The Babysitter ‘I may be a pretty shitty boyfriend but turns out I’m actually a pretty damn good babysitter.’ Steve Harrington keeps the ‘shitheads’ safe all while managing his scene-stealing coif.

3. The Dad Bod Chief Jim Hopper takes care of our heroine, even if his fear gets the best of him. But with a triple-decker Eggo extravaganza and heartfelt car ride apology, I forgive him. I’d want him in my corner any day.

2. Eleven and Mike They only shared scenes in 2 episodes, but for the look they shared when first reunited in The Mind Flayer, that’s enough for this fangirl.

1. Eleven's Journey of Self-Discovery Even a girl with superpowers can throw a tantrum or get jealous, but she also makes contact with her mom, finds her sister, and ultimately, stands up for herself and chooses her own path (and wardrobe). 

Counting the days till Season 3, which if rumor is right, won't be till 2019. Netflix, that is my version of The Upside Down. Please right-set immediately.

Lessons in Grieving and Vulnerability

Danielle VialeComment
Warner Bros. Records, center photo by Mario Anzuoni for REUTERS

Warner Bros. Records, center photo by Mario Anzuoni for REUTERS

Since July 20, the Linkin Park family had been coping with the death of Chester Bennington and lifting the band up through messages, photos, drawings, tattoos, vigils and songs. On Friday, October 27 at the Hollywood Bowl, for the first time since his passing, the family came together, in person, to represent the millions of fans around the world. Linkin Park had been there for our most difficult moments, it was now time to be there for the band. It was now time for our strength to be felt as they took the stage without Bennington, as Mike stepped up without his co-vocalist, collaborator, and friend.

The show opened with a video of the band speaking about Chester over a collage of footage, ‘Tonight is about remembering our friend, and his powerful voice, and his generous spirit, and how he inspired all of us.’

On the dimly lit stage, Mike appeared alone, behind the keyboard and began Robot Boy. With keys laid bare, he called the congregation to order. The remaining band members, Rob, Brad, Joe, and Dave joined onstage harmonizing together, adding to the spiritual atmosphere.

Rob broke through the somber start with an electric riff from The Messenger. Once sung a cappella by Chester, now led by Mike, ‘When you feel you're alone, cut off from this cruel world, your instincts telling you to run. Listen to your heart, those angel voices, they'll see you, they'll be your guide back home. When life leaves us blind, love keeps us kind.

The rest of the band and audience joined for the hopeful, anthemic chorus. An unforgettable night was well underway. From The Messenger, they transitioned to Iridescent, ‘When you were standing in the wake of devastation, when you were waiting on the edge of the unknown, and with the cataclysm raining down, insides crying save me now, you were there impossibly alone,’ Mike called out to the crowd to help him out, ‘Do you feel cold and lost in desperation? You build up hope but failure's all you've known. Remember all the sadness and frustration, And let it go….let it go.’

In the final part of the four-song opening, Mike played a stripped-down rendition of Roads Untraveled, ‘Weep not for roads untraveled. Weep not for paths left alone. ‘Cause beyond every bend is a long blinding end. It’s the worst kind of pain I’ve known. Give up your heart left broken, and let that mistake pass on, 'Cause the love that you lost wasn't worth what it cost, and in time you'll be glad it's gone.

The LP fam was there, the faithful, to gather together and raise our voices as Mike struggled to get through the last lines of the song, ‘Weep not for roads untraveled, weep not for sights left unseen. May your love never end, and if you need a friend, there’s a seat here alongside me.

Concert goers wiped tears away as the band exited and the instrumental for Numb began. A single spotlight illuminated an empty mic stand draped in garland at centerstage. The crowd filled in for Chester, ‘I've become so numb, I can't feel you there, become so tired, so much more aware, by becoming this all I want to do, is be more like me and be less like you. And I know I may end up failing too, but I know you were just like me with someone disappointed in you.

The crowd followed Numb by chanting, ‘Chester! Chester! Chester!’

When the band returned, Mike finally addressed the crowd, ‘Los Angeles, I don’t have the words. I don’t think any of us do, to thank you guys enough for coming, thank you guys enough for the support you’ve given this band in the past few months. It’s been incredible...we really appreciate it.' His voice cracked and he pulled away.

He steeled himself and continued, ‘Doing this show is one of the hardest things, I think, we’ve ever decided to do, and I think you’re a part of the only reason we are able to even stand up here and do this. We want to say thank you to you, thank you to our families, and thank you to our friends for their unending love and support.’

THERE’S A SEAT HERE ALONGSIDE ME
From there, Mike took the role of MC, introducing each guest throughout the night. The first performers included Ryan Key of Yellowcard, Taka of One OK Rock, and Stephen McKellar of Civil Twilight. Mike broke the rotation of guests with an a cappella intro to, Leave Out All the Rest, ‘When my time comes, forget the wrong that I’ve done, help me leave behind some reasons to be missed. And don’t resent me when you’re feeling empty, keep me in your memory, leave out all the rest.

Video footage between performances showed glimpses of Chester’s pre-show warm-up routines including a Freddie Mercury impression, and a song about unicorns and lollipops, to which much of the crowd sang along. Mike returned to the stage bewildered, ‘Let me ask you a question real quick, were you guys really just singing along to a YouTube clip?’ he was genuinely laughing at the crowd, ‘I don’t even know why we’re up here if that’s what we’re going to do.’

Battle Symphony had a rough start to which Mike stopped, ‘Whoa. Hold up, hold up. Hold up. Hold up. We’re not start off this shit all fucked up. That’s not happening. That’s not happening. If I have to pull a couple of Adel’s tonight, I’m going to do it. We are not starting…Chester would not have this shit.’ 

LOOKING FOR AN ANSWER
Halfway through the set, Mike went behind his keyboard to play One More Light. Again, a song once led by Chester, Mike took it head-on, discarding the higher, signature Chester notes. The stillness between the keys, exposed the pain in his words. But the night wasn’t about perfection, it was about showing up. 

Afterwards, Mike shared a story, ‘There were some fans that we met outside last night, we were rehearsing really late, and they were here the whole time, most of the day and into the night. And they gave me hugs, they gave me reassurance and they told us that it’s going to be okay.’

The crowd echoed the sentiment with cheers. Mike kept his eyes closed and smiled in acknowledgment,  ‘And it’s not one emotion that we’re feeling, I have to imagine you guys feeling the same. It’s a roller coaster of everything, one after the other, and you can’t predict when it’s going to go left on you. And the thing that helps us get through it is each other, and I’m very grateful for that, so thank you.’

He continued his story, ‘I was at a photo thing when I found out about Chester, and for hours I was in disbelief, I didn’t believe it, I wouldn’t believe what anybody had to say about anything, and fast forward you go through a roller coaster of things. Eventually I realized that one of the things that always helps me get through something is actually not only listening to music but actually playing music. And I sat down–I don’t think at the time when I did this, I don’t think I even had the courage to listen to our music yet, I hadn’t listened to one of our songs yet. But I sat down in my studio and I wrote something. It was about 8 days after. And I want to share it with you guys tonight if that’s okay.’

With only a spotlight on Mike at his keyboard, he introduced Looking for an Answer. It was easily the most vulnerable, grace-filled moment of the night.
There’s an emptiness tonight, a hole that wasn’t there before.
And I keep reaching for the light, but I can’t find it anymore.
There’s an emptiness tonight, a heavy hand that pulls me down.
They say its gonna be alright, can’t begin to tell me how.

With his voice cracking and a key clunk, the crowd was ready to lift him up at every turn, offering him the silence to get through it.

Is there sunshine where you are? The way there was when you were here.
I’m just sitting in the dark, disbelief that this is real, disbelief that this is real.

Have I been lost all along? Was there something I could say or something I should not have done?
Was I lost all along? Was I looking for an answer when there never really was one?
Was I looking for an answer when there never really was one?

With just a few stark keys and his weary voice, Mike transitioned to the chorus of Waiting for the End, the fans immediately joined in to help him out, ‘Waiting for the end to come, wishing I had strength to stand. This is not what I had planned, it’s out of my control. Flying at the speed of light, thoughts were spinning in my head, so many things were left unsaid, it’s hard to let you go…I know what it takes to move on, I know how it feels to lie, all I want to do is break this life for something new, holding onto what I haven’t got…

As a burst of confetti and streamers exploded, the band joined in, immediately lifting spirits, and dialing the track to it’s original, uplifting power. ‘Alright guys, shake that shit off,’ Mike said as he shook off the heavy and came out from behind the keyboards. He joined his band mates, flexing his MC skills, lowering his cap and rapping the rest of the song.

MUSICAL WHIPLASH
After that series of gut wrenching songs, Mike welcomed artist after artist onto the stage for some of the best performances of the night. Machine Gun Kelly lit up with infectious energy singing the Hybrid Theory anthem, Papercut. Chester and Mike often finished Papercut with arms wrapped around one another. We all felt an incredible amount of love for MGK as he finished the song right at Mike’s side. A Day to Remember’s Jeremy McKinnon represented hard taking on the heavy vocals of A Place for My Head, freeing up Mike a moment of pure MC'ing fun. After Jeremy hugged the guys and went offstage, Mike noted, ‘I feel like we’re giving you guys musical whiplash.’ 

With a big smile on his face coming off the raucous rendition of Rebellion, featuring System of a Down, Mike asked the crowd, ‘You having fun? That’s a weird thing to say. Cause it comes out of my mouth I go like, are we supposed to have fun? But I think we are supposed to have fucking fun. That’s I think. I think about Chester, and I think that guy would want us to have fun. That is what he would want.’

Sum 41’s Deryck Whibley took the stage next. And with only 24 hours notice, he came out and absolutely crushed The Catalyst. With band mate Frank Zummo on drums, Deryck did the heavy vocal lifting on the song, but was aware of Mike at all times, taking cues from him, making sure he was rising when he needed to rise and stepping back when the fans needed Mike to lead. Deryck’s performance was awe-inspiring, empathetic, and powerful.

OUR VERY FAVORITE GUESTS
After Blink 182 wrapped their songs, Mike endearingly addressed the crowd, ‘Our special guest on this one, is our favorite special guest of the whole night. Our very, very favorite. And that’s a fucked up to say because there was all these great people who have come out and if I say that, then it makes them look bad, but I do mean, that it’s our favorite guests. It’s you guys.’

Together, the band launched into the opening notes of In The End. Mike led the MC’ing and the crowd took on Chester’s vocals. We sang at our loudest so the band knew we weren’t going anywhere. When we got to the chorus, Mike held his heart feeling the full force of love from the LP family, ‘I tried so hard and got so far, in the end it doesn’t even matter, I had to fall to lose it all, in the end it doesn’t even matter.

IN HIS OWN WORDS
After Chester’s wife, Talinda, took a moment to thank all who have supported her, her family and the band through these devastating months, the video screens took over once again.

At his final concert in Birmingham England on July 6, Chester spoke on recent tragedies, ‘I’m gonna keep these (Manchester Bee earrings) in until this nonsense stops and we can start loving each other, we can stop hurting each other because we believe in something different than the person standing next to us. The one thing that can’t be defeated is love, right?’ He then instructed the audience, ‘Look at the person next to you and tell them you love them and that you’re happy that they’re here with you tonight, having a good time, listening to music, celebrating life. We don’t care what you look like, where you come from, or what you believe in, we love every single one of you out there, and nothing will ever change that.’

ENCORE
To carry the crowd out of the Birmingham clip that left most in tears, Linkin Park returned for an encore with Iridescent, inspiring the crowd to triumphantly sing along, Do you feel cold and lost in desperation, you build up hope but failure’s all you’ve known, remember all the sadness and frustration…Let it go! Let it go! Let it go!!’ The LP congregation was in full force.

Footage from the Linkin Park September 15, 2014 show at the Hollywood Bowl appeared on all the screens. For a brief, miraculous moment, Chester sang back to us. His angelic voice carried New Divide across the six surrounding screens. With the band members performing on-stage below, we sang along as Chester gestured to us, as if he was still with us today.

As the opening notes to the final song, Bleed It Out, played in the background, Mike shared these parting words for the audience, ‘You guys, we don’t know where we’re going from here. But we just appreciate your support as we get there. Most importantly, keep Chester in your hearts and Make Chester Proud.’

All performers throughout the evening came out to join the band in singing Bleed It Out, ‘Fuck this hurts, I won’t lie. Doesn’t matter how hard I try, Half the words don’t mean a thing, And I know that I won’t be satisfied.’ Before closing out the song, the band circled back to chorus of The Messenger, repeating, ‘When life leaves us blind, love keeps us kind.’ The crowd emphatically sang along with all that was left in them.

As the performers took their bows, Mike called out to the audience, ‘Thank you LP fans, Make Chester Proud.’ The artists slowly dispersed leaving the five remaining Linkin Park band mates center-stage to have their last moment with their fans and take their final bows. The crowd roared louder than we had all night. While I'm so grateful for all the generous performers who came out to support the band, the most powerful moments were of the band and their fans–the union and intimacy of the LP family was palpable. 

After the show, while some headed for the exits, many of us simply sat back down taking in those final moments. Maybe it was saying goodbye to Linkin Park as we know it, or saying goodbye to Chester, maybe it was emotional exhaustion, or simply savoring the last of a magical night. We sat speechless, in awe, until finally ushered out by security.

The three-hour event, with a 32-song set-list, including over 30 guest performers and 18,000 fans in attendance made for an unforgettable, magical, and emotional night. On this devastating journey over the past three months, Mike and company have led by example, teaching us all how to grieve, and more importantly, after taking the stage without their frontman, how to move on. 

Lessons in Empathy and Grace

Danielle VialeComment
Letter is reposted from the band's site

Letter is reposted from the band's site

Dear Chester,

Our hearts are broken. The shockwaves of grief and denial are still sweeping through our family as we come to grips with what has happened.

You touched so many lives, maybe even more than you realized. In the past few days, we’ve seen an outpouring of love and support, both public and private, from around the world. Talinda and the family appreciate it, and want the world to know that you were the best husband, son, and father; the family will never be whole without you.

Talking with you about the years ahead together, your excitement was infectious. Your absence leaves a void that can never be filled—a boisterous, funny, ambitious, creative, kind, generous voice in the room is missing. We’re trying to remind ourselves that the demons who took you away from us were always part of the deal. After all, it was the way you sang about those demons that made everyone fall in love with you in the first place. You fearlessly put them on display, and in doing so, brought us together and taught us to be more human. You had the biggest heart, and managed to wear it on your sleeve.

Our love for making and performing music is inextinguishable. While we don’t know what path our future may take, we know that each of our lives was made better by you. Thank you for that gift. We love you, and miss you so much.

Until we see you again,
LP

Lessons in Strength and Resilience

Danielle Viale1 Comment
Warner Bros., Faint Music Video Director Mark Romanek

Warner Bros., Faint Music Video Director Mark Romanek

I took this photo of the Twin Towers over Labor Day weekend before September 11, 2001. I was returning home from one of my long treks through Manhattan. It was sunny and beautiful along the Brooklyn Bridge, I was caught up in one of those moments when New York absolutely enthralls, when every single person around seems to be thinking the same thing, when New York leaves one at a complete loss for words. So instead, I captured it with my camera.

Just over a week later, the Twin Towers, those two brothers, collapsed from the sky. Again, I found myself at a complete loss for words. Once we’d gotten over the immediate violence and terror, once we made our way across town to a safe place, and once we finally returned home 24 hours later, the new reality of our world revealed itself. There was a new vernacular, at its center, Ground Zero, and a new Threat Level System of codes Red, Orange and Yellow. My roommate insisted on watching the news every night, replaying the horror we had witnessed firsthand. With the news escalating in the living room, I’d retreat into the kitchen and pour liquor into a coffee mug to quietly numb.

In the new reality, to get to work in Manhattan, we had to go through a Police Checkpoint. We’d silently sit in my roommate’s car, waiting for the all-clear to cross the Brooklyn Bridge. As the line of cars inched forward, I realized that one by one, we were accepting our fate, driving into the line of fire, not away from it. Every morning, driving toward that cloud of smoke and ash that refused to settle. And every morning, accepting something we once knew to be so true was most certainly not.

Once we got the all-clear, we’d race toward Manhattan and scream at the tops of lungs like warriors heading into battle. Our tires crossed each seam of concrete on the Brooklyn Bridge, growing louder as if warning us of impending danger. We’d scream toward uncertainty, we’d scream for the city we loved, and most days, we’d scream along with Chester Bennington. In The End by Linkin Park was our anthem. The first keys of that track had the ability to turn the exposure of day into the safety of night, and turn every ounce of fear into hurling fists of fight. We took to the streets of New York as if it were our sole mission, refusing to be defeated.

It's that kind of strength and fight that is Chester Bennington. And it’s what finally made me a New Yorker. His unmerciful growl is what led us through the new reality. The ability to scream through the heartbreak and relentless pain is a gift I won’t soon forget. I’m sorry all the damages and traumas he carried throughout his life finally pulled him under. I’m sorry that for every single day he resisted and fought, for just one day, he lost. I wish that wherever he is, he can see the impact he had on us fighters everywhere, and that he can finally feel at peace. To us, he will always be a hero, a survivor. 

Because they were absolute beasts of live performances, here's a few Linkin Park concert tracks for those like me who need to dig in:
ONE STEP CLOSER Rock am Ring 2004 – Milton Keynes 2008 – Monterrey 2012 – ROXY 2004
FAINT Rock am Ring 2004 – Japan 2007
CRAWLING Milton Keynes 2008
NUMB Rock am Ring 2004 – Milton Keynes 2008 
BLEED IT OUT Monterrey 2012
WHAT I'VE DONE Milton Keynes 2008 – Monterrey 2012
PAPERCUT Milton Keynes 2008 – Belgium 2017
GIVEN UP Milton Keynes 2008
WAITING FOR THE END Rock im Park 2012 – Camden 2014
BREAKING THE HABIT Smokeout 2003 – Camden 2004 – Rock am Ring 2004Japan 2006
SHADOW OF THE DAY Milton Keynes 2008
FROM THE INSIDE Rock im Park 2012
PUSHING ME AWAY Projekt Revolution 2008
LOST IN THE ECHO Summer Sonic 2013 – Birmingham 2017
FORGOTTEN  Roxy 2000 Festival 2014
BY MYSELF TX 2003 – MTV Milan 2001
SOMEWHERE I BELONG Monterrey 2012
CASTLE OF GLASS Camden 2014 – Spike 2012
IN MY REMAINS Sao Paulo 2012
ONE MORE LIGHT Kimmel 2017
For those who need more, you're in good company. Full Linkin Park concert links can be found here:
Hollywood Palladium 2001 – Rock am Ring 2004 – Milton Keynes 2008 – Monterrey 2012 – Camden 2014 – Southside Festival 2017 – Birmingham 2017
In his own words: Musik – KIIS and Dr. Drew at minute 40 


In a November 2 interview, Mike Shinoda shared this reflection on Chester:
I know he worked really hard to do what he did. He woke up in the morning and spent time with his family. He worked out for two hours. He went to AA meetings, or therapy, or whatever worked that part of his brain. He warmed up his voice. He did all of those things just to exist in everyday life… I know he worked so hard to be the guy that everybody saw. It didn’t come easily for him at all.

Happy 4th, True Americans!

Danielle VialeComment
Elizabeth Meriwether Pictures, American Nitwits, 20th Century Fox

Elizabeth Meriwether Pictures, American Nitwits, 20th Century Fox

1-2-3-4 JFK-FDR!! Fox recently announced New Girl would return this Fall for its seventh and final season. Let's pray their last 8-episode run includes another round of True American, invented by Nick, Winston, Coach and Schmidt that’s 50% drinking game, 50% life-size Candy Land. True American provides the perfect opportunity for the residents of the loft to scatter, drink heavily and make up ridiculous rules–the floor is lava and the couch is the Mason-Dixon Line, etc. Bonus, the game provides Jess with the opportunity to avoiding feelings, a kiss, or even an anticipated proposal. The roommates of Apt 4D have elevated drinking to an art-form with cans of beer and bottles of whiskey lined up like soldiers ready for their command.

The last time I even attempted the New Girl level of merry-making was at a local Mexican restaurant. Two jalapeño margaritas in, I started referring to the bartender as 'Spicy Delight.' No True American here. I'm more of a binge watcher than a binge drinker. This 4th of July, raise whatever you got to the True Americans everywhere (In Season 5, Episode 21, that’d be Coach). See you this Fall on FOX!

@MisterRyanAdams Goes LIVE

Danielle VialeComment
PAX-AM, @MisterRyanAdams, @Totally_Tod

PAX-AM, @MisterRyanAdams, @Totally_Tod

A few nights ago, Ryan Adams was sitting in what seemed to be a hotel room, talking, doodling, all on Instagram LIVE. Someone then comes in the room and says, ‘It’s time.’ He picks up the phone, continuing his broadcast, and carries it through a series of dark, narrow hallways when we hear a crowd. Immediately I think of the backstage scenes from Almost Famous. As he nears the stage, the lights go dark, the crowd roars, he then takes the stage – with his phone. Before walking up to the mic, he props his phone up, then proceeds to tear into his 23-track set list.

While @MisterRyanAdams delighted the Calgary crowd with his witty banter and shredding ways, those of us at home, on Instagram, commented, liked, loved and got a profile shot of Ryan and his unnamed band. A profile or even a backside view may seem less than desirable, but it’s LIVE. It’s a Ryan Adams show, happening now, LIVE. We’re onstage with him as guitars come and go, as zingers are flung to and fro, as he slays into a backbend toward camera and I can’t help but clap wildly from behind my desk, with the biggest smile on my face. There’s no place else I’d rather be. No need for TV, no need for cable or a subscription. The performance is immediate, the experience intimate. Dangerously peek fangirl levels.

After Calgary, @MisterRyanAdams broadcasted from Edmonton, Victoria, Vancouver, Seattle and Portland. At the start of each broadcast I’d set off my Ryan Adams phone tree. Texts sent frantically in all caps. We’d watch together or they’d roll their eyes at my need to watch every single show and let me freak out and watch on my own. Every night. Every track.

In Victoria, the overheated concert hall set off Ryan’s Meniere’s and his ability to hear, so he dismissed the band, and finished the set as an acoustic solo. In Seattle, a few nights later, he came back with a vengeance, as if squashing Meniere’s under his shoe. He said he felt like Kiss, ready to slay, complete with a flying V guitar. In Portland, he played outdoors where it doesn’t get dark till 10, making it strangely unnerving to sing such sad, dark songs in the light of day. By 9:30, his lighting designer finally got to show off her skills. That night, the last of his US stops, he closed out the show with an epic jam zone rendition of Peaceful Valley where I lived, loved, died, was reincarnated into the jam zone, got lost in the jam zone fog, danced in the purple-red-and-blue jam zone light show, was brought back to life again by the sheer slayage of it all, and somehow returned back to this existence. What just happened? Slayage, people. Pure slayage.

For six nights I got to watch Ryan Adams LIVE on instagram. If someone in the crowd sneezed during a sober drop in music, I heard it. And I heard Ryan say, ‘Bless you.’ After each song, I fired off a barrage of hearts to the feed. During every Magnolia Mountain jam session, I sang along at the top of my lungs while waving my hands in the air. From my Los Angeles living room, I watched the concerts with a friend in Las Vegas. Once he had that first show loaded up, he simply responded, ‘Whoa.’ I knew he was on my level, appreciating that we got to witness the magic that only happens at a live performance. I typed, ‘Hey, we’re at a concert together.’ He replied, ‘We never did that before.’

After playing the final song in Calgary, @MisterRyanAdams grabbed his phone, walked us back to the green room and returned to drawing as if nothing ever happened. Then without any fanfare, he cut the broadcast.

NOTE: Next US tour dates are at the end of July. Live feeds can be seen from @MisterRyanAdams with alt views across stage from guitarist, Todd Wisenbaker, @Totally_Tod

Fitter, Happier, More Productive...OKNOTOK

Danielle VialeComment
Abbey Road Studios, @StanleyDonwood

Abbey Road Studios, @StanleyDonwood

Cryptic new posters were released in cities around the world including London, Berlin, Amsterdam, Melbourne, and New York City. The #MoreFear series featured lyrics from the Radiohead magnum opus OK Computer, with the dates 1997 2017. With the upcoming 20th anniversary of the album’s release on May 21, 1997, the posters ignited buzz of a re-issue.

As if an in interstellar burst, Radiohead is back to save the universe. OKNOTOK 1997 2017 is the answer to those fan frenzied prayers. The reissue pairs the original OK Computer 12 track album with eight B-sides and three never-released tracks, all re-mastered from the original analogue tapes. Song that are ingrained in memory like ‘Lucky’ and ‘Karma Police,’ are now joined by three new tracks are ‘I Promise’, ‘Man of War,' and ‘Lift.’ The new three have long been part of the Radiohead set list, with recorded performances as early as 1995, they simply never got the studio treatment (earlier versions of 'Man of War' are known as 'Big Boots'). As for the B-sides, they feel familiar, like old friends who’ve always orbited around one another but avoided ever getting too close: ‘Melatonin,’ ‘Polyethylene,’ and ‘Pearly.’

Radiohead albums and songs are cemented in time, nearly unspeakably intimate and personal. Their albums that can’t be plucked through for their hits but must be absorbed, absolutely from beginning to end like an opus, a dark, alienated, skeptical, digital angst filled, information overload opus. Radiohead albums become a part of the listener’s soundtrack. As for the OK Computer reissue, if feels new, as if it’s been waiting for me to catch up all along.