Miss Sugarbritches

LosAngeles

Meet Me at The Greek

Danielle VialeComment
PAX-AM, poster illustration and design by Ivan Minsloff @minsloff

PAX-AM, poster illustration and design by Ivan Minsloff @minsloff

Only the anticipation of live Ryan Adams jams can break through the migraine hibernation mode. With visions of Ryan at The Greek dancing in my head, I loaded up on meds: hippie shit - eastern medicine, southern shit - Goody's headache medicine, allergy shit, and aromatic shit - peppermint oil over every pressure point and then some. In two-hour rotations, I’d lay in the darkness with a heating pad on my head till I passed out. I kept this up till the last possible moment then took a shower and got dressed. I left my place with hair soaked and jeans ripped.

You know you’re in the presence of a good friend when you can show up on their doorstep reeking of peppermint, in your worst favorite torn black tee, jeans and boots, with hair still dripping wet and eyes watering till your cheeks have turned pink. Fortunately, he was in a similar mode save for the peppermint oil burning nostrils and skin. For anyone else, we’d say fuck it and skip the whole thing, but for Ryan, we rallied.

We rode to The Greek with the windows down in an attempt to wake us both. We had hoped that the spirit of the concert would take over. Our faith immediately paid off, Ryan delivered a 23-track set under the LA sky with lights red, blue and purple illuminating the stage with jams so huge we forgot where the track began. Ryan talked about recording a particular song, ‘just over that hill,’ he introduced another song, ‘this one is particularly miserable – I think you’ll appreciate it.’ It never gets old, celebrating this hometown boy and our shared adopted home of LA. In this land, the misfits can rise above the hills, and even rise out of bed.

P.S. If you know where this fangirl can get the cat constellations concert poster from this show, please send me an email and help right this concert-going wrong!

Ryan Adams Sets Himself Free

Danielle VialeComment
PAX-AM, Center Photo with Vincent the cat by Rachael Wright for Rolling Stone

PAX-AM, Center Photo with Vincent the cat by Rachael Wright for Rolling Stone

Ryan Adams ups the heartbreak ante with his 19th album, Prisoner. Created on Sunset Blvd. in his personal wonderland, PAX-AM (and New York), Ryan described Prisoner to NME as, ‘the moment you realize that you’re free from something, you’re free from a trap that you maybe had set for yourself that’s not real.’

Prisoner is the result of Adams’ hard won freedom, some of his most inspired work yet with whispers of Smiths, Springsteen, Prince and even some Moonlighting saxophone. Ryan creates albums that are made to be listened to all the way through–he’s a storyteller after all and he takes no short cuts. However if you are in need of the one-two Prisoner punch, let these tracks, these deep cuts, knock you out: Do You Still Love Me?, Shiver and Shake, Anything I Say to You Now, and We Disappear (every lyric on this one will gut you).

I can’t help but have a certain sense of pride in our shared adopted home, Los Angeles. I'm keenly aware that his prolific songwriting and obvious joy are created somewhere along Sunset Boulevard. I hold that fact close–it keeps me inspired. I advise not disregarding these as mere sad, disenfranchised  songs, but regard them as made by someone who is living his dream, his purpose, someone who has set himself free, and listen with awe.

Pax-AM

Pax-AM