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Lethal Weapon Graduates Season One with Flying Colors

Danielle VialeComment
Warner Bros. Domestic Distribution

Warner Bros. Domestic Distribution

I can’t believe the best wild ride of the TV season is the first to air their finale! The 18 episode first season of Lethal Weapon was a triumph–action-packed, heart-wrenching, endearing, bromance-building and funny. The cast is superb, and play excellently alongside one another. The writing, direction, effects and music are all top notch coming together to create what has been the highlight of my week this TV season. You gotta imagine everyone goes to work on-set thinking, ‘Best. Job. Ever.’

Throughout the season we’ve been cheering Riggs on, hoping the friendship and stability of Murtaugh and family would be enough to keep him from self-destructing. The love and pride in RJ's graduation scene alone could keep this blogger warm all winter long. Nevertheless, we all waited with dread for the pieces of Riggs' past to finally be revealed. The last two episodes did just that. Despite Riggs’ marginal growth and recovery throughout the season–enough to open up, clean up, get sexed up, dressed up and show inklings of moving on–by the end of the last episode Riggs had left us to jump off the metaphorical cliff. Even Delgado gave a final warning to Murtaugh, 'Forget Martin Riggs. He’s gone.'

Now that the season has wrapped, I have to wait till we’re in peak heat wave to get my answers. I’d be really pissed off if I wasn’t so proud and happy for the Lethal Weapon team. I’m sending the writers and producers good juju to create an epic season two storyline.

Rest well, Lethal Weapon cast and crew, you done good.

My Girlfriends, There Through Thick and Thin

Danielle VialeComment
Paramount Domestic Television

Paramount Domestic Television

In honor of Tracee Ellis Ross’ Golden Globe win for Blackish I thought it would be a good time to dig into her previous series, Girlfriends. Created by Mara Brock Akil (executive produced by Kelsey Grammer), Girlfriends is about the lives and loves of four professional women and longtime friends Toni Childs, Maya Wilkes, Lynn Searcy and Joan Carol Clayton played by Tracee Ellis Ross.

I actually came to Girlfriends through my recent obsession with Lethal Weapon and the all badass, no nonsense woman that is Keesha Sharp. Sharp’s character, Monica, was a regular late in the series as the antagonist of the group and as the replacement for the departure on Jill Marie Jones who played Toni. While die-hard fans (and there are many) still see Toni’s departure as the show’s demise, I still came in rooting for Monica–and she gave me a lot in return.

Fangirling Keesha Sharp introduced me to the whip smart world of Girlfriends. Creator and showrunner Mara Brock Akil originally envisioned a single-camera show, however, due to budget and network expectations, it became a multi-cam sitcom. No matter how that original vision was altered, beyond the studio lighting, I can still see her vision–and it is beautiful. I wished everyone got to see these four women, living in Los Angeles, playing out their lives on a Sex and the City budget. The writing and relationships between the women were unquestionably up to the task.

As it stands, the network sitcom Girlfriends begs to be binged watched. I burned through the series so fast, I often find myself singing the theme song. Flawed, funny, rational, irrational, these women were fully drawn out and had me regularly laughing along with them. Toni, Maya, Lynn and Joan (real estate agent, administrative assistant/authoress, free spirt/eternal student and lawyer), all at different moments of their lives, all returned to one another with each turn–usually with a strong drink, a quick quip and a delightfully willing William on their arm.

Despite its many awards and accolades, Girlfriends suffered an abrupt end as a result of the ’07-08 Writers Guild of America Strike, leaving many plot points up in the air. However, for 8 seasons, Mara Brock Akil and company told great stories, made me laugh, taught me a lot and celebrated my adopted home. The four women of Girlfriends were unabashedly female, strong, and real. Funny how relevant that feels today.

Lethal Weapon Blows Away the Fall TV Fray

Danielle Viale1 Comment
Warner Bros. Television, Fox

Warner Bros. Television, Fox

December is the time for colorful, blinking lights, holiday parties every night and somehow, in between, mid-season finales. As I burn through the last of the finales, I’ve gotta give respect to Matthew Miller, McG and the new Lethal Weapon crew for taking on the original Shane Black script to create one of the most surprisingly fun rides of the Fall TV season. I was first to balk, see my earlier post. But now I am first to say, I was wrong. I am in. So in. Anxiously waiting for the latest episode, return date is January 4th, in.

As you know by now, this fangirl likes to stick to the classics, the originals, the true blues. However, when it comes to the reboot of Lethal Weapon, it has successfully left the past behind, creating something that is new, funny, and action packed. Clayne Crawford and Damon Wayans have a great chemistry and banter as Riggs and Murtaugh. Damon provides the heart and stability of the show as Murtaugh with his wife Trish and their three kids. Clayne is the wild card who carries a lot on his shoulders by taking on the role Mel Gibson made so famous. But I gotta say, comparisons here are wasted. Clayne stands on his own. Hailing from Alabama, the man wastes no time retracing footsteps of the past, but moves forward on his own terms, authentic with a dash of southern goodness. My favorite kind.

The show had me at the cold open of the pilot. I’ve been hooked, regularly rewatching, ever since. Props to the writers mixing action with humor, the stunt coordinators, VFX and directors, lighting all of it – superior team at work making Lethal Weapon such a fun show to watch. Props also to the music supervisor, Billy Gottlieb. While I usually skip the action movies, I can absolutely appreciate his selection of tracks to tell the story of these two detectives in Los Angeles. Appropriately dude-like – I say that with respect – his selections are yet another excellent element of Lethal Weapon’s storytelling. Holy mother, just realized Gottlieb also does the music supervising for Kingdom. Hell yes!!! Love it.

One last note and bonus, Lethal Weapon takes place in Los Angles, like so many of my favorite shows. No wonder I always wanted to move here. Local Santa Monica note, Bay Cities’ famous Godmother sub made it into episode 3. Extra pepperoncinis. Respect. Any show that give props to the Godmother (even with my current vegan ways), deserves respect.